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Whatever happened to Ken Watanabe’s steely mini-sermon of “let them fight” from 2014’s Godzilla? Cast aside all the screenwriting urges for world-building or acting egos for showy screen time. The blueprint for any good monster movie of any brand is as simple as what Watanabe’s Ishiro Serizawa said before the final act of Gareth Edwards’ MonsterVerse starter.
LESSON #1: THE FORMULA FOR A MONSTER MOVIE — Punch up the peril. Amplify the spectacle. Turn the big boys loose. That’s it. Should it really be that hard, especially when you pair the two most popular monster properties in cinema history? They’re billed as ancient enemies of a never-ending rivalry. Would it really be that difficult to stand back in Monday and “let them fight?” Evidently, it still is. Apparently, monsters are still dragged down by convolution and pesky people.
After defeating all comers in Godzilla: King of the Monsters, the prehistoric sea monster has laid low as the reigning alpha predator. Only one Titan remains as a potential tournament opponent, one actually bracketed in shameless “March Madness” fashion by graphics in the opening credits. It’s Kong, the enormous ape of 1970s Skull Island lore, reintroduced by a cheesy Bobby Vinton song as if he’s a mumblecore indie character getting up to do his morning hygiene routine before heading to work, if that work was being the king of his jungle turf. Kong has grown older and larger in the decades since. His confined habitat is now a Monarch facility shielded from the outside world (and Godzilla) by a massive dome.
Enter all the nettlesome humans of narrative entanglement. Dr. Ilene Andrews (Rebecca Hall of Holmes & Watson) is the diligent anthropological linguist working to communicate with Kong. Where she tries with education, her adopted native daughter Jia (Kaylee Hottle) succeeds with emotional attachment to the giant ape. That diminutive unity will eventually lead her to be the protected muse that stands unafraid in action to come while mutely delivering on-command single teardrops of melodrama for the camera to capture.
While the world cowers in fearful preparations for when the next Titan will appear, Apex Cybernetics, led by CEO Walter Simmons (The Midnight Sky’s Demian Bichir), his right-hand daughter Maya (Eiza Gonzalez of Hobbs & Shaw), and second-generation scientist Ren Serizawa (Shun Oguri, in his Hollywood debut), has been working on secretive countermeasures to combat future destructive havoc on mankind. Whatever Apex is doing at their Florida factory, it’s shady enough to provoke three things: a beast, a conspiracy theorist, and a mogul.
Sensing something, Godzilla makes landfall and lays waste to the entire compound, marking the first time the reptilian behemoth has attacked people instead of his fellow monsters. The long-gestating mysteries surrounding Apex have fueled the “Titan Truth Podcast” fires of paranoid former employee Bernie Hayes (Widows’ Brian Tyree Henry). One of his most loyal listeners just happens to be the returning Monarch military brat Madison Russell (Millie Bobby Brown), still shadowing her father (Kyle Chandler) and garnering a tagalong techie friend (a wasted Julian Dennison of The Hunt for the Wilderpeople).
Accelerating his plans, Simmons enlists a failed “Hollow Earth’’ theory author named Dr. Nathan Lind (former Tarzan Alexander Skarsgard), who is the most conveniently buff, action-enabled, lowly, and intellectual stud this side of Aaron Eckhart in The Core. Speaking of that box office bomb, Simmons wants to put Lind’s subterranean theories to the test by bringing Kong from Skull Island to Antarctica where an traversable entry point to such a mystical realm may exist and contain an exploitable source of our Titans’ supernatural power. Dr. Lind sells Dr. Andrews with your typical “it’s our only chance” BS plea that becomes blindly accepted with zero merited discussion because there are special effects and toys to show off.
LESSON #2: THE OLD “HOLLOW EARTH” THEORY — Speaking of Dr. Lind’s angle, upcoming Black Widow scribe Eric Pearson and MonsterVerse steward Max Borenstein (with story credits from Godzilla: King of Monsters director Michael Dougherty, Shrek’s Terry Rossio, and Krampus’ Zach Shields) earn some minor historical cool points for calling upon classical subterranean fiction evoked by the likes of Jules Verne and Edgar Rice Burroughs as the mythological birthplace of the Titans. That scores a zilch for science, though, which used to be part of the backbone when Gareth Edwards started this series. The disproved “Hollow Earth” theory can be an exciting sci-fi playground if used to its fullest. Here, it’s a pit stop dalliance for both humans and monsters that gets an inexplicably sunny (think about the science for a second) tour set to an oddball Elvis Presley ditty.
If you wonder why the last five paragraphs nearly entirely stopped talking about the headliners, it’s because the movie sidetracks them too often. True, we were never going to get (full air quotes) “character development” for non-speaking monsters of cinematic lore, but to waste time on all the temporary people is worse than not trying at all. All of the shallow personality quirks, flimsy character motivations, and painfully absurd side plots spill all over and push away the majority of what people are coming to see. Once again, get out of the way and “let them fight.”
When our ancient enemies do finally square off, the special effects supervised by Zack Synder regular John “DJ” DesJardin do impress with their size and dexterity. Much of their first encounter aboard ships at sea has been greatly overexposed by the trailers, which is a shame. Save for a surprise third opponent (beware of spoilers), these battle moments are fleeting peaks. Gone too are the revived Godzilla themes from composer Bear McCreary, traded for some nondescript drums from Thomas “Junkie XL” Holkenberg that do not kick any extra notches into the skyscraper-laden brawls.
LESSON #3: “I LOVE CRAZY IDEAS. THEY MAKE ME RICH” — Borrowing a line from Bichir’s tycoon, the path that led us to Monday is both intricate and witless in its chase for dollars. All the Highlander-level hype of “bowing to no one,” “one will fall,” and “there can’t be two alphas” in the displaced blockbuster attempts to build to what director Adam Wingard (Blair Witch, The Guest) claims to be a definitive winner. “Definitive” and “satisfying” are two different things. For a film series that has been the epitome of hot-flash diminishing returns (steep second weekend box office drops between 63–78%) and indecisive tonal flip-flopping between gravity and camp, there is little victory to claim or further springboard to launch from with this fourth film.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or Mondayal form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom hMondays a set of rights to use or license the work, and who are commonly referred to as rights hMondayers. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
❏ GOODS OF SERVICES ❏
Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment. Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.
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5 years ago, the Korean drama Bad Guys achieved popularity thanks to its unique and fun story. Tells the story of a group of "special"
5 years ago, the Korean drama Bad Guys achieved popularity thanks to its unique and fun story. Tells the story of a group of "special"
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Any news related to Blackpink is indeed quite attention-grabbing, considering that Blackpink is one of the most successful girl groups even
Superhero films are always filled with top actors who have very high salaries. However, some were initially willing to be paid very cheaply and increased rapidly after the superhero film he played was a big success in the market. Zack Snyder also said that he was willing to not be paid when working on the film project he had left behind, namely Justice League.
Then what about the Justice League Snyder Cut stars? How much did Henry Cavill to Gal Gadot receive for the film and who was the most expensive?
DCEU's The Flash or Barry Allen actor Ezra Miller reportedly received only USD 3 million for his appearance in the 2017 film Justice League, as reported by several sources.
Justice League became a gateway for Jason Momoa before finally having his own film as Aquaman. His appearance in the DCEU film also received a very lively reception, so how about talking about the amount of payment he gets?
When appearing on the Game of Thrones series, Jason Momoa, received a payment of less than USD 100 thousand to make him have a lot of debt when his character died on the show. But when he appeared in the Justice League film, he received an increase in income of up to USD 4 million.
Previously, Jason Momoa also appeared as a cameo in Batman v Superman: Dawn of Justice, but it is not clear how much money he received because he only made a cameo in the film.
Before appearing as Wonder Woman, Gal Gadot also had time to fill in box office films such as Fast & Furious until the 6th series. But not many know how much money he received at that time until he finally appeared as the main star in the 2017 Wonder Woman film.
As the main character, Gal Gadot was only paid USD 300 thousand and oddly that amount is the same as the fee received by Chris Evans when starring in Captain America: The First Avengers in 2011.
Wonder Woman also achieved great success to record revenues of USD 821 million worldwide. This also had an impact on the amount of payment he received in subsequent projects. Some media also wrote that the actress also received a much increased amount when she appeared in Justice League.
Reported by Vanity Fair, it is stated that now Gal Gadot gets paid USD 10 million for every film he has starred in, including Wonder Woman 1984.
Superman star Henry Cavill is said to be getting paid much higher than Gal Gadot in his debut film with DC, Man of Steel. He was paid USD 300 thousand, but if it was totaled by the clause in his contract, he received up to USD 14 million as mentioned in USA Today.
That number also increased when he returned to appear in Batman v Superman. He is said to have received a fee of USD 20 million for the film and the same amount as his appearance in the Justice League in 2017.
Even though he failed to play the role of Batman, Ben Affleck actually managed to get the most expensive payment compared to all Justice League stars. For his role in Batman v Superman alone, he is said to have received a fee of USD 43 million.
Reporting from Forbes, it was stated that the amount was outside the agreement on the percentage of profits he got from the sale of the film. For Justice League itself, Ben did not experience an increase in salary in the film.
Many couples tend to hide things from each other. But it is doubtful if Jason Momoa would ever be able to keep secrets from his wife, Lisa Bonet, and the same applies to her as well. Their connection is so deep that they will be able to intuitively sense what the other is thinking.
It is not wholly related to their being head over heels in love. There is another reason for it - astrology. Jason’s Sun sign and Lisa’s sun sign is Leo and Scorpio. Jason and Lisa’s Moons, as well as the planets that govern emotion and innate personality, are in opposite positions, according to their birth charts. Their Moons are uniquely placed, and it creates a deep spiritual connection between the two. This means that when Lisa is feeling something, Jason will be able to feel those vibes, too. It is the same for Lisa with Jason. This ability to read each other’s minds makes it really difficult to hide things.
This interaction between their Moons is the reason why they could build their relationship on a solid foundation of trust. Keeping secrets is probably something neither of them will want. The most noteworthy aspect of their Moons is that they make it possible for Jason and Lisa to reveal their vulnerable side to each other. This enables a nurturing environment and a relationship which gives top priority to commitment. The fact that their Moons are in fixed signs means that they will be very loyal and protective towards one another and will be there for each other in times of trouble.
This would be enough to conclude that Lisa and Jason have a good thing going and that their relationship is for keeps. A close look at their charts reveals that the stars favor their bond in many more ways.
While Lisa’s Mars is in aspect with Jason’s Pluto and Uranus, Jason’s Mars is in a challenging square aspect with her Uranus and Pluto. There will be an abundant passion, in other words. Both Leos and Scorpios are passionate in temperament.
Lisa’s Uranus is in square aspect from Jason’s Mars. This couple will need a lot of space in the relationship so that they can be themselves. Even though they get along well, they need freedom and independence. It is important to keep their passion alive. Both seek variety in life and try to ensure it consistently. Spending some time away from each other keeps the relationship fresh. Without this time apart, they are likely to become irritated with one another. One way to manage such problems is to have common goals and creative projects.
If they decide to get together and do something, they know how to get it done. Working together for humanitarian causes brings them closer and works wonders for their relationship.
There are a lot of favorable planetary positions in Jason and Lisa’s charts. But some are exceptionally good.
The best of these has to be Jason’s Sun which is in quintile aspect with Lisa’s Moon. This makes possible real harmony between them, and it also connects them on a deep and spiritual level. It’s also why Lisa and Jason are very loyal to each other and share similar tastes in aesthetics. Both Scorpio and Leo are signs that are known for their loyalty.
As Lisa’s Venus is in a favorable sextile with Jason’s, their love relationship is underpinned by friendship. The reason why they are strongly attracted to one another can be attributed to the way in which Jason’s Sun and Lisa’s Venus interact. The desire they feel towards each other is lasting.
Finally, Jason’s Moon is in Lisa’s fifth house of romance. This indicates that their parenting styles will be compatible. They will think alike and display the same commitment when it comes to domestic responsibilities, which means they will be in agreement when it comes to issues like bringing up children, spending money, and family priorities.
When Jason met Lisa, he must have felt in his gut that this relationship had the potential to develop into something serious and enduring. His Venus, Sun, and Mercury are all in aspect to Lisa’s Saturn. Like glue, Saturn helps the relationship stick, and the involvement of the other three planets also strongly indicates commitment.
Between the two, Lisa is more practical in her attitude. This can cause occasional clashes with Jason, who is more playful. However, their relationship is based on love and friendship, and it is also a spiritual bond. So challenges can be easily overcome and their commitment is steadfast.
On the whole, the zodiac sign compatibility between Lisa and Jason is excellent.
Days before Meghan Markle and Prince Harry's Oprah interview, the British media published an incendiary report with accusations that she bullied her staff.
Trump barked at The Wall Street Journal over an editorial that was negative towards the former president.
There've been a lot of memorable scenes on Keeping Up with the Kardashians. But what's the storyline that Kim Kardashian calls her "toughest moment"?
All eyes are on Prince Harry and Meghan Markle's interview with Oprah Winfrey on March 7, 2021 — and the timing of the special is receiving intense backlash.
Chrishell Stause's splits from Keo Motsepe and Justin Hartley apparently didn't go well—so much so, she's ready to make a change to her dating life.
Prince William is rumored to have had an affair with family friend, Rose Hanbury, and a body language expert gives her insight into the rumors.
Remember when Paula Abdul and Emilio Estevez were a couple? Here is why the stars' marriage came to an end.
In an exclusive interview with Nicki Swift, Diane Neal talks the Circle of Deception scene she was the most hesitant about and how she got through it.
How are Kendall and Kylie Jenner related to Gigi and Bella Hadid? Keep scrolling to find out why they're considered distant siblings!
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